The application of the composition of ink painting in graphic design is firstly reflected in the distance and density of the composition structure. Distance and density are actually a way of composition, which mainly demonstrates the relationship between various elements of ink painting, so as to realize the conception of the whole work and the ideas to be conveyed. To this end, in the process of graphic design, designers should strengthen their grasp of the distribution of various elements, pay attention to the relationship between distance and density, so as to achieve a sense of hierarchy and progression to the design work. For example.
In Zheng Banqiao's bamboo paintings, he pays attention Photo Manipulation Services to grasping the quantitative relationship between bamboos, and also adjusts the density relationship between bamboo leaves. Maybe there are only a few bamboos in the whole picture, but these are arranged according to the composition form, emphasizing the "sparseness" of graphic design. Bamboo leaves are dense and dense, with pointed and long leaves, reflecting its "dense" principle. A pair of bamboo diagrams skillfully combine the distance, distance and density closely together to realize the application of compositional forms in graphic design. Secondly, the relationship between the virtual .
The real in ink painting is also deeply reflected in the graphic design. The emptiness and reality in ink painting are similar to Lao Zhuang's free and illusory, both true and false, if there is or not. In ink painting, people always see two diametrically opposed colors, black and white. These two colors, black and white, are the key to the entire composition. That's because if the whole design is dominated by "empty" and emphasizes the "empty" of the picture, then the final impression will be too empty and empty; if it is too "real", then there will be no.